MORK An analog-style synth that can be used to create soundtrack-type sounds
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MORK Description

The MORK VST plugin was developed to be an analog-style synth that can be used to create soundtrack-type sounds. Deep, low PAD's or spacy melodies. It can also produce convincing storm-sounds MORK is pronounced "morgue" with a deep bassy voice, long "o" & evil-dracula-articulation of the "k" Control: - The Sine/Noise-switch selects the waveform of the secund oscillator - The MIX-knob sets the mix of the 2 oscillators (fully counterclockwise= only oscillator 1, fully clockwise= only oscillator2) - The DETUNE-knob detunes oscillator 2 - The OCTAVE- and SEMITONE-selectors affect the pitch of oscillator 2 - The BENDRANGE-selector effects the range of the pitch-wheel for both oscillators - PORTAMENTO changes the portamento-time (glide between notes) for both oscillators - the ATTACK, DECAY, SUSTAIN, RELEASE-knobs control the VCA (volume) - The 8 sliders control the delays. There's 4 delays on the left channel & 4 on the right (The delay-times & repeats are fixed, the sliders control the mix of each delay) - The AFFECT-knob sets the overall mix of all 8 delays. - FUZZ increases the distortion of the fuzz. (The fuzz-effect is very velocity-sensitive & therefor highly responsive to playing-dynamics. Sinths the fuzz-circuit is hooked up after the delays, you can have it set to where only some of the repeats are distorted) - The FUZZ-MIX sets how much the fuzz-circuit affects the signal. - The RECTIFY-button rectifies the signal coming from the delays & is hooked up before the fuzz. - The High Pass/Low Pass-switch selects the filter-type - CUTOFF controls the cutoff-frequency of the filter - RES controls the resonance of the filter - MIX controls the dry/wet-mix of the filter - VOLUME controls the overall-volume of the MORK

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